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Art Of Drawing The Human Body
A drawing is considered ill-proportioned when the Figures head appears larger than normal, or when the arms seem too long or too short- in other words when the figure deviates from what we consider normal.
To avoid disproportionality, we look to the laws of proportion as represented in an idealized, conventional drawing of the human form, in other words, one which possesses a perfect relationship between the body’s measures.
The way we represent the human figure today is based on a Greco-Roman model, the classical Greek law of proportion, which was adopted by the Romans and later resurfaced during the Renaissance after centuries of disuse.
The law of proportion for the human figure is based on a unit of measurement that corresponds precisely to the measurements of the head.
According to the classical laws of proportion. the total height of the human body should be equal to seven and a half heads, or seven and a half units,
Praxiteles’s law established a new idealization of the human body: according to this model, the total height of the human body must equal eight heads. In the early
A law of proportion based on units is useful primarily because it allows you to compare the relationship between the extremities by referring to the divisions between the units.
In a proportional model, the figure will be eight units tall and two units wide. Each unit is equal to the length of the head. The nipples coincide with unit number two.
The armpits also coincide with the borderline between the second and third units, and the navel is located in unit number four.
Unit number four also marks the position of the elbows and is a fairly precise mark for the height of the waist. The hand is as long as the face, and the knee is located slightly above the sixth unit.
In any given era, learning to draw the human figure, whether nude or clothed, is perhaps the foremost goal of any painter.
The nude is the most beautiful and complex of subjects, and is often considered the artist’s greatest challenge.
Although drawing the nude figure is widely considered to be very difficult, it is in fact generally easier than than a portrait, because it does not require that tiie artist focus on facial details.
Figural Problems
Drawing the human body requires the artist to gather all of her skills in working with real form and volume.
As a subject, the human figure requires that we put into practice an entire set of representational skills as we arrange the limbs in a proportional relationship to the body; it also requires the representation of volumes, articulations, planes, and simple forms and their combination into more complex ones.
Once we can accurately render the human figure, it is safe to say that we can also take on any other subject, no matter how complicated it may appear.
The Secret of Simple Forms I Icrc’s a strategy for approaching the challenges of representing the human figure: first, figure out a starting point for the figure based on simple forms that adjust to the contours of the body (we will sec this in the following chapters); then, work with these forms until you arrive at a convincing and recognisable structure.
From there, the proportions must be carefully established, making sure that the figure has a proper equilibrium; this is especially important when drawing standing figures.
Don’t be discouraged by your first drawings, which will most likely look like crudely made dolls — a jumble of sketchy, ill-fitting forms.
The best way to start is to reduce complex forms into simpler ones
| Writer | – |
| Language | English |
| Pages | 162 |
| Pdf Size | 23.75 MB |
| Category | Art |
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Art of Drawing The Human Body Pdf Free Download