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Art Through The Ages
Of these essential approaches to a work of art, we shall isolate for discussion the first that of born and the ability to see the form.
“Torm” has MUDY BRRGGngs. Here through this book-2 is used in int widest sense that of a social organic structure.
A synthesis of all the elements of which that structure is wratnicaed, zed the masse in which the desert are related and waited to create in distinctive chancer.
“Organic,” so cording to Webster, means “Possened of a complete structure comparable to that of a human being; flaming totality, in which the relation of the parts involves a relation to the whole
“Structure, according to the same authority, means “Something com distracted or built; the arrangement of the parts in a substance or body,”
This is the meaning of the broadly inclusive term “ferm The Chinese Lave a saying that we see with our cars. “Chesterton once observed shrewdly, says J. B. Priestley,
“That there was a great difference between an eager man who wanted to read a book and a tind man who wanted a book to read Reading a book.
Listening to music, c seeing a picture requires the concentrated activity of both emotions and intelligence. Listen to a piece of music.
You hear a succession of sands, at times harmonious, at times discordant, which may produce a certain cod, somber or gay.
But so far you have penetrated the music’s minimum significance only. It is so little in reunion to what is there. You may be to ins capable, or bags to play, to perc rate farther.
If on the other hand, sea listens attentively enough to catch a chilly, plumps istifasi bars, t hear it again In another key and again in its original form.
If you have noticed a second melody with which the first interweaves, and you have discovered that the quality of each site according to the instruments which it is played if you have heard all this and reality.
Author | Helen Gardner |
Language | English |
Pages | 863 |
PDF Size | 309.3 MB |
Category | Art |
Art Through The Ages Book PDF Free Download